Array ( )

רשימת ההשכרה

לא קיימים פריטים ברשימה שלכם
מצלמת ה- VENICE של סוני היא מצלמת הדור הבא! חשיבה מלאה קדימה עם חיישן פול פריים לסינמה, מדע צבע פנומנלי והפעלתה ידידותית למשתמש. ה VENICE שייכת לסדרת CineAlta של SONY, אחת מארבע הסדרות המקצועיות שלה. מצוידת בטווח דינמי רחב (15 צמצמים[!]), מערכת ניהול צבע חדשה ומשטח צבע רחב במיוחד לטובת העבודה לאחר הצילום (Post Production)
  • Reliable partner for creativity
  • Beautiful image
  • Simple and intuitive
  • Full-Frame sensor for cinema
  • Full width 36mm 6K
  • Super35 anamorphic 4K
מק"ט CAM-VNC


Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation.

Reliable partner for creativity

VENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.

Beautiful image

Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.

Simple and intuitive

Usability and reliability of the camera is one of the major concerns for operators especially in tough or time critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, using VENICE you can simply concentrate on filming, and not the camera.

 Full-Frame sensor for cinema

VENICE features an all-new Full-Frame sensor with the classic 36 x 24mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.

Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:

Full width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9 and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra shallow depth of field, super-wide shooting and other creative effects.

Super35 anamorphic 4K

For super wide screen productions, VENICE offers two full height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes respectively.

High Resolution Magnification
High resolution content requires highly precise focus. VENICE offers up to 4.0x Dot-by-Dot magnification of the viewfinder image for superb focus accuracy.

Surround View (Look Around)
Camera operators always appreciate a warning when mic booms or other distractions
threaten to enter the frame. Using Surround View mode, the viewfinder and on-set monitors can display a 5% margin around area being recorded.

NOTE: Surround View is available on 3.8K 16:9, 4K 17:9 and 4K 4:3 imager modes on VF, SDI 3/4 and HD Monitor outputs. Maximum supported frame rates are up to 29.97fps (project) and 48fps (variable).

High/Low Key
This powerful tool makes it easy to attain perfect exposure settings. Simply press the assigned button to cycle from Normal Exposure to 64 EI (Base ISO 500) to 320 EI (Base ISO 2500) and back to Normal on your VF and Monitor.

User 3D LUTs
Customise VENICE to deliver the precise look you desire. Install up to 16 user-generated LUTs (Look Up Tables) or 33 cube files.

Recording time by AXS-A512S48/S24

Depending on the recording clip numbers the time may be shorter than the description

Recording time by SxS Pro+ memory media 128GB

Depending on the recording clip numbers the time may be shorter than the description

The New Sony X-OCN Codec: Sample Footage, Comparison, and Details

Sony XOCN CodecWe got our new Sony AXS-R7 RAW recorder for the F5/F55 cameras recently and we were eager to get it onto our F55 and test out the new Sony X-OCN codec. We shot some X-OCN sample footage which you can download below.

The X-OCN codec is a 16-bit compressed codec and comes in two flavors, ST and LT.  The benefits of using the X-OCN codec vs the RAW available on the R7 are primarily space related.  The X-OCN ST codec uses about 33% less media than the RAW, and the LT version uses roughly one third of the space.  When compared to the ever popular ProRes codecs the X-OCN offers greater bit depth while still offering space savings. The ST codec uses less space than ProRes 422 HQ, and the LT codec uses less space than ProRes 422. Scroll down to the see our Sony X-OCN sample footage.


Sony AXS R7 External RAW Recorder

Sony AXS-R7 RAW Recorder with Sony X-OCN Sample Footage

You can also try out the footage for yourself by following the links provided to download the files as they appear on the media cards.  I included a RAW file so you have an example of that to work with as well.

UPDATE: More footage has been added comparing X-OCN ST, X-OCN LT and XAVC 480 footage at regular speeds and at high frame rates.


Sensor Type

Full-Frame CMOS


3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS

Sensitivity / ISO


Dynamic Range/ Latitude

15+ Stop


Video Recording Format

3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 3:2(6048 x 4032): 23.98p, 24p,
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
RAW SQ (required AXS-R7)
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p

Audio Recording Format

LPCM 4ch , 24-bit 48-kHz

Gamma Curve



Memory Cards

×2 SD card slot ×1
ExpressCard/34 slot


XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)


Lens Mount


Power Requirements

DC12V (11~17.0V)
DC24V (22~32.0V)


3.9KG (without lens, handle, VF attachment expansion bottom plate and accessories)

ויופיינדר DVF-EL200
כבל ויופיינדר
מתקון ויופיינדר
ידית נשיאה מרכזית מתכווננת
כותפת / מתאם בארז / פלטה ARRI
באלאנס פלייט / פלטקה סוני
מתאם V-Lock
מתאם V-Lock
רשיון אנאמורפי
רשיון Full Frame
מקליט RAW משולב AXS-R7

ייתכן ותאהב גם...