עב
Array ( )

Rental List

There are no items on your list

SONY VENICE

VENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.
  • Reliable partner for creativity
  • Beautiful image
  • Simple and intuitive
  • Full-Frame sensor for cinema
  • Full width 36mm 6K
  • Super35 anamorphic 4K
SKU CAM-VNC
Quantity:

VENICE,

Next generation camera with forward thinking full frame sensor, phenomenal color science and user-friendly operation.

Reliable partner for creativity

VENICE is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.

Beautiful image

Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.

Simple and intuitive

Usability and reliability of the camera is one of the major concerns for operators especially in tough or time critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, using VENICE you can simply concentrate on filming, and not the camera.

 Full-Frame sensor for cinema

VENICE features an all-new Full-Frame sensor with the classic 36 x 24mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.

Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:

Full width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9 and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra shallow depth of field, super-wide shooting and other creative effects.

Super35 anamorphic 4K

For super wide screen productions, VENICE offers two full height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes respectively.

High Resolution Magnification
High resolution content requires highly precise focus. VENICE offers up to 4.0x Dot-by-Dot magnification of the viewfinder image for superb focus accuracy.

Surround View (Look Around)
Camera operators always appreciate a warning when mic booms or other distractions
threaten to enter the frame. Using Surround View mode, the viewfinder and on-set monitors can display a 5% margin around area being recorded.

NOTE: Surround View is available on 3.8K 16:9, 4K 17:9 and 4K 4:3 imager modes on VF, SDI 3/4 and HD Monitor outputs. Maximum supported frame rates are up to 29.97fps (project) and 48fps (variable).

High/Low Key
This powerful tool makes it easy to attain perfect exposure settings. Simply press the assigned button to cycle from Normal Exposure to 64 EI (Base ISO 500) to 320 EI (Base ISO 2500) and back to Normal on your VF and Monitor.

User 3D LUTs
Customise VENICE to deliver the precise look you desire. Install up to 16 user-generated LUTs (Look Up Tables) or 33 cube files.

Recording time by AXS-A512S48/S24

Depending on the recording clip numbers the time may be shorter than the description

Recording time by SxS Pro+ memory media 128GB

Depending on the recording clip numbers the time may be shorter than the description

Sensor

Sensor Type

Full-Frame CMOS

Resolution

3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS

Sensitivity / ISO

ISO500

Dynamic Range/ Latitude

15+ Stop

Recording

Video Recording Format

3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 3:2(6048 x 4032): 23.98p, 24p,
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
RAW SQ (required AXS-R7)
X-OCN ST/LT:
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p

Audio Recording Format

LPCM 4ch , 24-bit 48-kHz

Gamma Curve

S-Log3

Interface

Memory Cards

×2 SD card slot ×1
ExpressCard/34 slot

Audio

XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)

General

Lens Mount

PL

Power Requirements

DC12V (11~17.0V)
DC24V (22~32.0V)

Weight

3.9KG (without lens, handle, VF attachment expansion bottom plate and accessories)

DVF-EL200 Viewfinder
Viewfinder Cable
Viewfinder Bracket
Adjustable Central Handle
Arri Plate w. Shoulder Pad for Sony Venice
באלאנס פלייט / פלטקה סוני
V-Lock Adapter
V-Lock Adapter
15mm Rods
Anamorphic License
Full Frame License
AXS-R7 Integrated RAW Recorder - Optional

You may also like…

PANASONIC VariCam 35

0.00
Quantity:

RED EPIC-W HELIUM 8K

0.00
Quantity:

ARRI AMIRA PREMIUM

0.00
Quantity:

ARRI ALEXA PLUS

0.00
Quantity:

COOKE S6i ANAMORPHIC T2.3 Lens set

0.00
Quantity:

ARRI ALEXA MINI

0.00
Quantity:

RED EPIC DRAGON 6K

0.00
Quantity:

ARRI ALEXA EV-1

0.00
Quantity: