EN
Array ( )

רשימת ההשכרה

לא קיימים פריטים ברשימה שלכם

SONY VENICE 2 Digital Motion Picture Camera (8K)

מצלמת ה-2 VENICE מבית SONY מאפשרת עבודה בטווח דינמי מרשים של 16 סטופים, מאפשרת הקלטה פנימית על כרטיסי ASX ללא שימוש במקליט חיצוני, פורמטי הקלטה פנימיים עד ProRes 4K 4444 ואפשרות הקלטה ב 8K.
  • X-OCN Internal Recording
  • 4K ProRes 4444/422HQ Internal Recording
  • Interchangeable CMOS 8.6K Sensor Block
  • 16 Stops of Dynamic Range,
  • 800/3200 Base ISO Range
  • Removable PL Mount, Cooke /i Protocol
  • Sony E-Mount with Electronic Contacts
  • 8x Integrated ND Filters Plus Clear
  • Integrated Assistant-Side Info Screen
מק"ט CAM-VNC2
כמות:

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.

Sensor

The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates.

Please note, though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Internal Recording
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
New VENICE 2 Functions
  • Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • Apply LUTs to your 4K or HD (6G/1.5G-SDI) output
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported
Functions from VENICE
  • The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera
  • Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)
  • Support for the X-OCN XT recording format
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.
Built-In ND Filters
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in an underwater housing.
Color Gamut
The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.
Dual-Base ISO Sensor
The 8.6K VENICE features dual-base ISO, which offers Base ISO3200 in addition to Base ISO800. The High Base ISO3200 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.
No Jello Effect
The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.
PL Mount
The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
E-Mount

Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production.

 

חיישן

Sensor Type

Full-Frame CMOS

Resolution

3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS

Sensitivity / ISO

ISO500

Dynamic Range/ Latitude

15+ Stop

Shutter Type

Electronic Rolling Shutter

הקלטה

Video Recording Format

3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 3:2(6048 x 4032): 23.98p, 24p,
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
RAW SQ (required AXS-R7)
X-OCN ST/LT:
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p

Audio Recording Format

LPCM 4ch , 24-bit 48-kHz

Gamma Curve

S-Log3

ממשק

Memory Cards

×2 SD card slot ×1
ExpressCard/34 slot

Audio

XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)

כללי

Lens Mount

PL

Power Requirements

DC12V (11~17.0V)
DC24V (22~32.0V)

Weight

3.9KG (without lens, handle, VF attachment expansion bottom plate and accessories)

Sony VENICE 2 Digital Motion Picture Camera (8K)
ויופיינדר
כבל ויופיינדר
מתקון ויופיינדר
ידית נשיאה מרכזית מתכווננת
כותפת / מתאם בארז / פלטה ARRI
באלאנס פלייט / פלטקה סוני
מתאם V-Lock
רישיון Anamorphic
רישיון Full Frame

מוצרים משודרגים

ARRI AMIRA PREMIUM

0.00
כמות:

ARRI ALEXA MINI

0.00
כמות:

ARRI ALEXA EV-1

0.00
כמות:

ARRI ALEXA 35

0.00
כמות:

SONY VENICE

0.00
כמות:

PANASONIC VariCam 35

0.00
כמות:

RED EPIC-W HELIUM 8K

0.00
כמות:

RED EPIC DRAGON 6K

0.00
כמות:

ARRI ALEXA PLUS

0.00
כמות: