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ריקורדר סאונד החדש מבית SoundDevices הוא המתקדם ביותר בשוק היום ונחשב כמכשיר הדגל של החברה. עם 32 ערוצים, 36 ערוצי הקלטה ו-16 כניסות קדם מגברים בעלי יחס S/N מהאיכותי ביותר שהחברה הוציאה עד היום. ניתנת האפשרות להקלטה סימולטנית על 2 כרטיסי SD ובנוסף יש SSD מובנה של 256GB. הריקורדר מקצועי ונוח מאוד לעבודה עם ממשק תפעול מחודש.
  • 16 Low-Noise, High-Quality Mic/Line Ins
  • 32 I/O over Dante, AES I/O
  • Per-Channel EQ, HPF, Limiting & More
  • 48V Phantom Power
  • XLR, TA5 & TA3 Inputs / 12 Analog Outs
  • 12 Busses, Fully Routable Matrix
  • Accurate Timecode Generator
  • Internal 256 GB SSD
  • Simultaneous Recording to SD Cards
  • Multiple Battery & Powering Options

Designed for production use in the field—and boasting a powerful feature set even by the standard of Sound Devicesthe Scorpio is a 32-channel, 36-track, Dante-enabled portable field mixer and recorder with a panoply of connections. Indeed, the Scorpio is the flagship sound-recording device in Sound Devices' production line.

16 high-quality, low-noise preamps are on-hand right from the device, accepting inputs over XLR, TA3, and TA5 connections. These preamps outperform all previous Sound Devices pres by any measurable spec. All of them provide 3-band EQs, analog limiting, high-pass filters, adjustable delays, and phantom power.

Need 32 channels of Dante in and out? The Scorpio is equipped for that. It also handles AES I/O and gives you 12 analog outputs. Multiple headphone outs are on hand to suit any kind of situation. Even communication headsets can be accommodated.

Use the Scorpio to mix up to 12 individual buses, all in a compact form factor that works equally well in an over-the-shoulder rig or a mobile environment. With an onboard engine that makes use of three FGPA circuits and six ARM processors, the Scorpio can handle complex routing schemes, pushing audio through its 64-bit engine to ensure a high-quality sound for your demanding, in-the-field needs.

The Scorpio boasts a 256 GB internal SSD for recording audio straight to the device, though two SD card slots are on hand for redundancy. Simultaneous recording is supported—though that of course might be redundant to say. The accurate, onboard timecode generator boasts its own battery to hold timecode for up to four hours after you power off the device.

The device was built to be as ergonomic as it is powerful, offering you one- or two-button accessibility to most menu options, and one-handed control over many menu shortcuts. Power the mixer with L-mount batteries, or use the TA4 DC inputs with smart batteries, inline power supplies, or NP-1 batteries. This Sound Devices' sound device even gives you a built-in dual L-mount battery charger.

Analog Inputs

Frequency Response
  • 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz)
THD + Noise
  • 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in)
Equivalent Input Noise
  • -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)

Processing Engine

  • Highly extensible, full FPGA-based audio processing, 3 FPGAs
  • Six-way ARM multiprocessor system
  • 64-bit audio processing precision

Audio Over Ethernet

  • Dante, AES67 compatible
  • 2 channels in, 32 channels out (up to 96 kHz); 16 channels in, 16 channels out (192 kHz)
  • 1 Gb/s Ethernet, 2 ports, transformer-balanced


  • Mic/Line inputs
    • 16 total, all fully featured; 6 on full-size XLR, 2 on TA3, 8 on TA5
  • Inputs
    • Mic-level inputs: (XLR, TA3, TA5): Class-A, discrete differential long-tail pair, 4k ohm input impedance
    • Line-level inputs: (XLR, TA3, TA5): active-balanced, 4k ohm input impedance
    • 48V phantom: full 10mA to all 16 inputs simultaneously
    • AES3 or AES42 available on XLR inputs 1 and 6
    • AES42: +10 V, 250 mA available, mode-1, auto-ASRC
    • Rtn A, B, C (3.5 mm/10-pin): unbalanced 2-channel, 4k ohm input impedance
    • Com Rtn 1,2 (TA3, 3.5mm) balanced, 1-channel, 8k ohm input impedance
    • External Slate Mic (TA5): balanced, 8k ohm input impedance, menu-selectable 12 V phantom
  • Maximum Input Level
    • Mic: +8 dBu (2.0 Vrms)
    • Line: +28 dBu (19.5 Vrms)
    • Rtn A, B, C: +18 dBu (6.2 Vrms)
    • Com Rtn 1, 2: +24 dBu (12.3 Vrms)
    • External Slate Mic: +12 dBu (3.2 Vrms)

High-Pass Filters

  • Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.


  • Limiters available at all channels, buses and headphones for all sample rates
  • Analog first stage, all subsequent stages digital
  • Attack time: 1 ms
  • Release time: adjustable, 50 ms to 1000 ms
  • Threshold: adjustable, -2 dBFS to -12 dBFS
  • Selectable ratio: inf:1, 20:1


  • Channel Adjustable 0-50 ms
  • Output Adjustable 0-500 ms

Maximum Gain

  • Trim stage (mic input): 76 dB
  • Trim stage (line input): 50 dB
  • Fader stage: 16 dB
  • Bus stage: 16 dB
  • Headphone stage: 20 dB
  • Mic-to-Line: 108 dB
  • Mic-to-Headphone: 112 dB


  • XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
  • Hirose 10-pin (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
  • TA3 (X1-X6) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
  • 3.5mm (X7, X8): unbalanced, stereo, 1.8k ohms
Headphone Outputs
  • ¼”, 3.5 mm
  • TA5 (along with mic input pins) for single connection to headset + mic
  • High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven
  • Compatible with headphones of any impedance
Maximum Output Level (all into 10k load)
  • Line: +20 dBu (7.8 Vrms)
  • “-10”: +6 dBu (1.5 Vrms)
  • Mic: -20 dBu (0.078 Vrms)
  • X7/X8 Out: +6 dBu (1.5 Vrms)
  • Headphone outputs (¼”, TA-5, X9/X10): +14 dBu (4.0 Vrms)
Digital Outputs
  • AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 5-8 (Hirose 10-pin A)
  • 110 ohm, 2 V p-p, AES and S/PDIF compatible


A/D Converters
  • 32-bit, 120 dB, A-weighted dynamic range typical
  • Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 88.2 kHz, 96 kHz, 192 kHz
  • Internal 256 GB SSD; two removable SD Cards. Each 10% over-provisioned (reserved free space) for optimum performance
  • Simultaneous recording to internal SSD and the two SD cards
  • exFAT formatting
  • 36 tracks (32 iso channels, 4 buses)
  • Broadcast WAV monophonic (48048 and lower) and polyphonic file format
  • 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 GB


  • USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards
  • USB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices

Timecode and Sync

  • Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
  • Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
  • Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
  • Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
  • Timecode Output: 75 ohm impedance, 5 V p-p (+12 dBu)
  • Word Clock Input: 10k/75 ohm selectable impedance, 1-5 V p-p input sensitivity
  • Word Clock Output: 75 ohm impedance, 5 V p-p output, at SR

Remote Control

  • USB MIDI MCU Control  – supported 3rd party fader controllers
  • SD-Remote Android app
  • USB Keyboard
  • External Timecode Record Trigger


  • 320×240, Transflective, excellent sunlight visibility
  • Larger touchscreen display available via USB-connected SD-Remote app


  • External: dual 10-18 V inputs on locking TA4 connectors, pin-4 = (+), pin-1 = (-)
  • Dual rear-mount Sony-style L-mount batteries with chargers
  • Idle Current Draw: 875 mA @ 12 V (10.5 W)
  • Intelligent power-down of unused mic preamps and other internal circuits



2.63 KG



5.1 cm x 32 cm x 20.5 cm

צמת מתח למיקסר ואלחוטי
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